Music, football, Dyslexia, Cancer and all things London Borough of Barnet. Please note we have a two comments per person per blog rule.
Wednesday, 14 May 2025
Are raised CO2 levels in the atmosphere sending us all around the bend?
Monday, 12 May 2025
Keir Starmer and Yvette Cooper lose the plot on immigration
I daresay that I'll upset a few friends with what I have to say here, but I simply don't believe that we can avoid telling the truth. As the only real policies Reform seem to have are related to immigration and they are ahead of the other parties by ten percent in some polls, burying heads in the sand is no longer an option. I had always thought that whatever Sir Keir Starmer and Yvette Cooper were or weren't, stupid was not one of them. Hearing Yvette Cooper talking about immigration yesterday. I have had to change my views. Why?
Well lets start by looking at why immigration is an issue for so many people. I talk to a lot of people from all walks of life and there are four reasons which I hear repeated time and time again. These are
1. Illegal immigrants are coming during a housing crisis, taking up all of the social housing and claiming benefits, adding to the tax burden of hard working British people. This means that we have less money in our pockets and our young people are priced out of the housing market.
2. Immigrants are involved in crime and anti social behaviour, not respecting British Culture.
3. Immigrants are changing the face of our towns and cities, Churches, Pubs, etc are disappearing and our High Streets are being overrun with Businesses which are fronts for money laundering.
4. The Police, Courts NHS, Councils and other Government agencies give Immigrants, their culture and their cultural needs preferential treatment, at the expense of indideonous British people.
Regardless of whether you think these statements are true, the reason that a significant number of people in the UK are now committed to voting Reform is because they believe them to be true and also only trust Nigel Farage to deal with their concerns. Sir Keir Starmer has four years to change their minds and prove that he can address their fears. There are two ways he can realistically do this. The first is to demonstrate, beyond reasonable doubt, in a way that the general public will believe, that he is addressing these issues. The second, is to implement policies that address the root causes of the discontent that the likes of Farage are counting on to persaude people to vote Reform.
I was fascinated when I saw Yvette Cooper on the news explaing how she was addressing these fears. Her big idea? To stop care workers from moving to the UK to work in care homes. To me, this is bonkers. The one thing, not even the most ardent Reform supporter has ever suggested we need to do, is stop genuine, hard working immigrants from working in care homes. The concept that there are lots of British people queueing up to work in care homes and are being forced out by immigrants is ridiculous. Of course, some at the fringes of the far right, would deport all immigrants, but that is a really minority view and not why Reform are polling at over 30% in some polls. This policy would be awful for all manner of vulnerble people. It does nothing to address any of reasons listed above.
So what should Starmer be doing? Well, if I was in his shoes, this is what I'd do to address the four issues.
1. The first thing I would do is to make any money given to France dependent on stopping illegal crossings. I'd double the money we pay France to police the channel, but I'd dock a sum for every crossing. We pay France around half a billion pounds a year to stop channel crossings. In 2023, approximately 29,000 people crossed the English Channel in small boats from France to the UK. This number was down from 46,000 in 2022. So if we docked £10,000 f'or every migrant crossing from France, they'd lose the half a billion extra if they let levels rise to 2023 levels again. I believe that the problem would stop and we'd save far more money as we'd not have the bills of housing and feeding migrants. I also believe that the UK government needs to do something to make housing affordable for younger people. That would remove a big cause of resentment.
2. Successive governments have chipped away at Police numbers and made it almost impossible for the Police to do their job. Having an effective Police force costs money. Starmer and Cooper need to properly fund the police. When the Police have the tools to do the job, crime drops and these sort of grumbles dissipate.
3. Yes, our high streets are changing. This has always been the case. If you think of the poem, Rub-a-dub-dub, it refers to the butcher, the baker, the candlestick maker. Most of us just have a Tesco's Express instead now. Pubs don't close because "someone wants to put a Mosque there". They close because people stop going to the pub. I'd like to see things like pubs given support and protection from greedy developers, but ultimately if people don't want to use businesses on the High St, then the High Street changes. As for the charges of money laundering, see the answer to 2.
4. I think that there is a perception that the Police and Courts do not enforce the law properly for fear of creating a backlash. The grooming scandal is an example. It seems to me to be a complete no brainer for Yvette Cooper to instruct all police forces and the CPS to enforce the law without prefudice and with equality for all. I have no idea why Cooper hasn't already said publicly "We have reviewed what has been going on and in future, if people comit crime, they will feel the full force of the law, regardless of creed or colour'.
My views on this are not new, I've mentioned all of the above previously in blogs, if not all in one blog previously. I accept that fixing migration is far more complex than can be summed up in one short blog by someone who knows little about the subject. But I can also spot dodgy policies that won't work a mile off. Sir Keir Starmer and Yvette Cooper have clearly panicked after the appalling results in the local elections. They have rushed through a series of completely idiotic suggestions that will do nothing to address the real issues that concern people and everything to damage the social services sector. In short, they've lost the plot
Sunday, 11 May 2025
The Sunday Reflection #32 - Great Britain in 2025 - Angry, self obsessed and uncaring?
Many on the right look back to the post war decade as a golden era. The warm beer and people playing cricket on Village Greens (before they were bulldozed and had flats built on them). They seem to forget that we built the NHS and social housing, people didn't walk on the grass, if there was a sign saying so and we followed the rules. There was no need for 'Woke' because by and large, people were polite. But it is also worth remembering that singe mothers had their children stolen from them, hotels had songs saying "No Blacks, No Irish, No Dogs" and if you came from a working class family, your chances of going to University were almost zero.
Saturday, 10 May 2025
The Saturday list #483 - My top ten tips for running a successful band!
Having played with The False Dots for 46 years as band leader, having played at most of the best clubs and pubs in London as well as playing in Europe, I have a little bit of experience of running a band. I've also run Mill Hill Music Complex music studios since the band started and I've seen all manner of bands come and go. I've watched some artists start and rise to the top, whilst others, who may well have been more talented, have never really taken off. When we started, our mates, The Polecats, who I was at school with got a deal and were on Top of The Pops, inspiring us all to believe that we could 'make it'.
So what do you need to do to have a successful band? Well here are my top ten tips for aspiring band leaders.
1. Decide what you want your band to achieve and set clear goals and put a plan together to get there. I have mentored many artists over the years. The first question I always ask is "where do you want your career to take you?". Probably 75% say the same thing. "We want to get a deal and have hit records". It may surprise you if I say that this is one of the easiest things in the world to do. All you have to do is have at least one song that is a surefire hit (great beat, catchy hooks, etc), which has a vibe which is in tune with current music tastes, an image that is compelling and something unique that sets you apart from the crowd. If you have all of these, then the goal is achievable, but you have to play the game. It always amazes me how many artists who aspire to great things, don't have the basic building blocks to achieve it. So be honest, look at what you actually have and work out how yiu can build on this.
2. Choose the right people for your band. The reason why 99% of bands fail to get off the ground is because the members do not share a common purpose or commitment. If you want to "make it" ou have to pretty much accept that it will take 2-3 years to get established and for that period, the band has to be 100% your full focus in life. Relationships, careers, holidays,etc cannot be part of the plan. You have to spend your time writing, rehearsing, gigging, recording and networking and you all have to be committed to it. If the band are going our for a drink, go to places where other musicians hang out. Time spent in your local is time wasted and you really don't have time. Bear in mind, if the band takes off, you will be stuck with these people for the next couple of years. If they get on your nerves, it won't end well. Choose the right people.
3. Keep writing new material and study how to structure and compose music so that you get the best out of your ideas. Ultimately, success in music is all about having great music. No band has ever made it without having great tunes. Having quirky ideas is as compelling as having brilliant melodies, if you look at British music, some artists have great natural musical talent and tunefulness, such as The Beatles, Amy Winehouse, etc. Other such as Ian Dury, The Clash and the Rolling Stones,have a spikier talent and quirkyness that grabbed attention. Play to your strengths. The one thing all have is brilliant material and a compelling delivery.
4. Build a good team around your band. Once you start seriously gigging, you will need help. Getting gear to gigs, promoting the band, producing your tracks to bring the best out of them and emotional support, when things don't go well are really important. I mentioned the Polecats at the start. Tim, the singer, had a Dad Barry, who was a plumber and had a van. He would drive the band around the country and became their manager. Such people are the lifeblood of aspiring bands. My band had a mate called Emil, who'd lend us his VW camper van and another mate called Dermot, who drove it and didn't drink! Such people are diamonds.
5. Don't be disheartened when things go wrong. The reason that the False Dots are still going after 46 years (and I think making better music than ever), is that when things go wrong, we pick ourselves up off the floor and step back in the ring. Several times, absolutely key members would leave, just as we thought we'd crack it. You can't get disheartened. If you believe in what you are doing, just treat it as experience.
6. If things aren't working, be honest with yourself as to why. The biggest mistake bands make is to delude themselves as to why they are unsuccessful and the plan isn't working. Bands are the best at blami ng everything else for their problems. The labels, gig promoters, etc. I've heard the same old stories time and time again. Then I hear the music the band are playing and it is obvious. Generally it is because the songs bands make are simply too self indulgent. One of the biggest mistakes bands make is to try and look cool, writing highly pretentious nonsense, rather than songs that connect with people. They all slap each other on the back, celebrating their own brilliance, then the songs simply don't find an audience. One artists said to me, back in the 1990's that they couldn't understand the success of The Smiths, with their miserable lyrics. The answer is simple, many people connected with the emotions Morrissey shared. When I analysed the artists lyrics, effectively the songs were all "Look at me, I am cool, I am wonderful, aren't I great". The tunes were decent jangly pop, but it was was impossible to connect with. The artist absolutely refused to recognise that his was the problem. Needless to say, they never acheived success.
7. Understand the dynamics of gigging. Gigging is the most important stepping stone to success. But there are rules. If you don't play enough gigs, you will never get anywhere. If you play too many, at the same place, you will saturate and lose your audience. I'd recommend not playing the same venue more than 4-5 times a year. When you do a gig, always have another one to announce in the locality if possible, but make it 6-8 weeks apart. When you are building a following, there are two things to do. The first is to play free to enter gigs at venues that people actually go to. The second is to get good support slots at recognised venues. The second is better, but the first is more attainable. Different rules apply if you are a covers band, playing for cash. What you want then is a regular circuit of paying gigs. I've never really done that, so I can't offer too much advice, beyond see what pubs are doing live music and hassle them for gigs. I'd recommend checking out the bands playing there, and seeing what goes well.
8. Have a social media strategy. You won't get anywhere without social media. They say that people need seven social media engagements for things to sink in. Posts have to be engaging and eye catching. Building a following on social media platforms takes time and there is no easy fix. But there are a few good cheats. Follow similar acts, like their posts and comment. This will, eventually, draw attention to your band.
9. Make your media clips interesting and ensure there is an attractive narrative. One of the biggest mistakes bands make is to put boring, bland videos of the band up, that have dodgy sound quality, with a bland message, such as "Us playing a cover at the Dog and Duck last night". Half the time, it puts more people off the band than it gets to come. It is always worth investing in some coloured lights, so your videos look better and make sure the sound quality is good. Try and make the text sound exciting, so "Last night, everyone went crazy when we played Freebird at The Dog and Duck" is more likely to get a view.
10. Have a strong 'brand identity' for your band. Think of all the good things about your band, all of the USP's, what you sing about, what style of music you play, what you look like and your name. Make sure that when people engage, you've done everything you can to ensure they remember you. Try and make sure that when you take to the stage, you look different to all of the other bands.
As someone who has been running a band for 46 years, I look back on our career. There have been many phases. I thougght I'd finish this blog just listing how we progressed
1978-79 - We spent this period tring to put a band together and write songs. Our aim until Fen 1979, was simply to have a band we could rehearse with. Once we acheived that, the aim was to get a set together. It all imploded in Spetember 79, but we restarted in December.
1980-82 - This was all about getting the band gigging. We recorded demo's, toured Scandinavia and built up from playing local pubs, to better venues in London.
1983-84 - This was all about trying to get a record deal. We got close, but the industry didn't want a band fronted by a black female singer. We didn't fit. It all imploded in September. Here's a video of what the labels didn't like!
1985 - This was about rebuilding and getting back gigging. We ended the year playing in Belgium.
1986-87 - The less said about this period the better. We had a singer who wanted to make us a covers band earning money. It was a miserable period./
1988-90 - This was mostly about just playing gigs for the fun of it. We'd lost our spark, but we did a few decent gigs.
1990-2001 - I was doing other things, paying the mortgage and having kids.
2001-2009 - We rediscovered our love of gigging. That was always what it was about. We did a couple a locally.
2009-2011 - Much to my amazement, we enlisted a brilliant singer Connie AB, wrote a new set and started playing Camden Town again. As with 1984, we were scuppered by industry racism. Here' a video of Connie singing with us.
2012 -2019 - Allen Ashley, who sang with the band in 1985, rejoined and we returned to playing local gigs and festivals for the fun of it. We also recorded an albums worth of songs, but the pandemic meant we didn't get around to releasing it.
2021-Present. Allen left and I started singing. The band returned to what I wanted when I first set it, playing Ska/Pop/Punk tracks with a Madness/Ian Dury tone. We started playing back in Camden etc and I rediscovered my love of making music and showing off in front of an audience. What is our aim? To have as much fun as possible and see where the road leads us. Here is an example of our work!
For me, the band was always about gigging and playing our own stuff, to as many people as we can. I feel blessed to have had so much fun and work with such wonderful people over the years!
Friday, 9 May 2025
Friday Fun and local gigs in Barnet 9th May 2025
As ever we start with the Friday Joke. As we so often do, we start with a cracker from our mate Robert Wilkinson
I just heard a woodpecker call me paranoid in Morse code.
— Robert Wilkinson (@robertwlk) May 5, 2025
Forthcoming events
Fothcoming events of note
The Mill Hill Music Festival starts with a free gig at The Adam and Eve on 31st May. Click on the image for full details
This weeks gigs
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Thursday, 8 May 2025
Rock and Roll Stories #32 - The False Dots LIve at The Bald Faced Stag video emerges after 41 years!
"Are you Rog?". I replied Yep.
"Did you used to play in a band called The False Dots?". I replued "Yep I stll do"
"Did you put something up about video of a gig at the Bald Faced Stagg in Burnt Oak and wanting to see it, on Facebook". I replied "Yep I did".
"I've got a copy. I got it on DVD do you want to see it". I replied "I'd love to".
And so it was that for the first time ever, yesterday, I saw the video of The False Dots gig at the Bald Faced Stag, on the 30th June 1984. Our singer at the time was the rather amazing Venessa Sagoe. The line up was in blistering form and it was the fourth gig in a residency at The Bald Faced Stag, and a few days before we played a "Big Gig" at The Pindar of Wakefield in Kings Cross (now The Water Rats). The Bald Faced Stag in Burnt Oak was one of Barnet's most notorious pubs. Most of the hoodlums in Burnt Oak used it as their watering hole. Half of them had worked for my Dad at MacMetals. The guvenor liked us and paid us well for playing. At the previous gig, a chap called Tony Byrne, from Colindale CND approached us and asked if we'd like to make the next gig a benefit for CND. In return, he said he'd make a video of the event. These days everyone can make videos with their phones, back then, it was a massive thing. The idea of a whole gig being videod was really exciting.
My only concern was that the guvenor of the pub at the time was ex Army. How would he react to a CND benefit in his pub? He was delighted, as he knew that the pub would be busy. We got our mates, in a rythme and blues band called No Biscuits to support us. They were pretty full on and we knew it would be a good night. We played a great set and got a good reception. It was like a home fixture for us. After the gig, I rang Tony to get hold of a copy of the video. He was very cagey. Something had gone wrong and he'd missed half of the set. He was highly embarrassed. We never got to see it. Until yesterday.
What was even more annoying was that Tony showed it to the local paper to get some press for his cause. Even more annoying was the fact that the video editor had incorrectly labelled the band "The Full Stops" on the video, according to the press report. After a couple of weeks of nagging I gave up. By the end of the summer, that iteration of The False Dots had split up. Venessa had joined another band, I was in hospital in aserious poor health, following a burst stomach ulcer. I had split up with my partner and things couldn't be more miserable. I had no interest in seeing the video. It had been fun whilst it lasted, but in bands, you look forward, not backwards. And so the video got forgotten. When you are twenty one years old, you do stuff and move on. But when you are sixty two, you take a different view. I was looking through my bands scrapbook and saw this article and wondered. Did the video still exist? So I put a post up on Facebook and Veg, the drummer of No Biscuits got in touch.
Like most of the lyrics and poems I write, it then got stuck in my shoebox, put in the sock draw and left. In 1983, Vanessa Sagoe, joined the band. She asked to see any lyrics I had. She loved the song. She asked if I had any music for it. Myself and Paul Hircombe then composed a very basic two chord pattern. We played it and Vanessa simply took the song and that was that. We never bothered to develop it any further musically, because Vanessa's delivery was so powerful.
Wednesday, 7 May 2025
Peter Beal Photographer RIP - An absolute local Legend, who's work you've seen, but who you may not know
I was genuinely upset today to see this post on X. It is a few days old, but I felt really sad, it marks the passing of an era.
RIP legendary Hendon and Finchley Times chief snapper Peter Beal, who you knew would be *everywhere*. Always kindly supportive at events organised by my Mum and very generously offered insights to help me scrape an otherwise unlikely C in Photography GCSE. https://t.co/arxFe5ErBV
— Aidan Radnedge (@aidanrad) April 30, 2025
I've known Peter for donkeys years. Not only that, but over the years he took many pictures of me and my band, The False Dots, as well as all manner of events which I have been involved in and that the Barnet Times covered.
Below are some of my favourite pictures of the band, taken by Peter.
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1980 - Our first outing in the press! |
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November 1983 - Our classic line up |
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2004 - Celebrating 25 years of the False Dots |
There are plenty of others in my collection, but these all tell a special story for me. Peter covered all manner of events for the Barnet and Hendon Times. When I first met him, he had the look of a dapper mod, fresh out of a gig at Ronnie Scotts. We were just snotty teenagers, in a punk rock band. You might think that a local photographer, turning up at Harwood Hall in Mill Hill on a freezing night in December, to watch an unknown bands first gig would be a chore. None of it! Peter said "For all anyone knows, you lot might be the next Rolling Stones, and I'm taking your first press picture". Over the years, I got to know him far better. He was always interested in the band. When he turned up to take the picture for our 2004 gig (above), I said "I bet you don't remember our first picture". He said "Was that at Harwood Hall, you were all far more serious then!". We'd often chat about various local issues. Peter was the soul of discretion, but a wry smile would usually tell me all I needed to know. Photographers are like furniture and often people are indiscrete in their company.
As I got into politics and blogging, Peter took all manner of pictures of events for the Times. Sadly, I didn't keep copies of them, as I did for the band, but I'd scour the paper for them. They always had excellent composition and he had a brilliant eye for detail. The internet is awash with pictures taken by Peter, sadly, most people posting his pictures, don't have the courtesy to credit the Times newspaper and so most are unaware that the great pictures are his work. The Barnet Times printed a wonderful obituary to Pete. Many of the Hendon Times pictures are on the wonderful Mempics site. Sadly these don't have a name on the pictures, but I am sure many are the work of Peter. They are well worth a look.
So next time you see a post on Facebook, with an uncredited picture saying "I've been doing internet research and I found this amazing picture of Mill Hill from 1983" just think for a second, it may well have been Peter who took it. He would have had to jump in his motor, go to the site, take 20-30 snaps, go back to his darkroom and develop them and then pick the best one. It took a lot of talent and a lot of time. It's just a shame that he will get no credit at all for his work from these 'Internet researchers'.
Here's a few pics from the Hendon Times website that I rather like. RIP Peter, legend and top bloke.
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Borehamwood in the snow 2014 |
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Olympic flame Harrow 2012 |
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The Moon over Barnet 2015 |
All pictures courtesy of the Barnet Times