Saturday, 18 November 2017

The Saturday list #155 - Ten tips for a great Xmas in the London Borough of Barnet!

Image result for Xmas Mill Hill broadway
A seasonal view of Mill Hill Broadway
The Christmas Season is nearly upon us. Yesterday Mrs T (my long suffering better half) asked me whether we should have "people around for a Christmas drink this year". I'm a sociable sort of chap, so I said yes, of course. Much as I'd love to ask all of the thousands of readers around to join us, sadly, Tichborne mansions probably wouldn't fit you all in! So I thought, maybe I could at least give you a few pointers as to how to have a great Christmas. Now I know that not all of my readers celebrate it, but I'm pretty sure for all of everyone there will be something interesting here for you.

This list is purely based on my not always very objective view of living in Barnet. I rather hope that everyone has a great festive season and if you check out these recommendations. I always try and support local traders and great businesses.

1. Getting a Christmas Tree.
I always get mine from Finchley Nurseries, in Burtonhole Lane in Mill Hill. They will deliver the item to your house, so no need to worry if it won't fit on the back of the moped. They also have a great selection of jams, plants etc for a gifts etc. They also sell seasonal organic vegetables. I often use the opportunity for a walk around the Totteridge Valley and Darlands Nature Reserve first. They have a lovely tea room, so if you get a nice sunny day, why not check it out. Here are a couple of tweets from the Better Mill Hill blog, showing what you could enjoy. It really is a highlight of Mill Hill.



2. Getting a Turkey.
We are blessed with some excellent butchers in the Borough. They supply quality products. I always use Cooksleys in Mill Hill. The Mill Hill Broadway blog likes them as well.


I can also recommend Highland Organics at Mill Hill East. If meat isn't your thing, then Elias Fish at Mill Hill East is a fantastic place to get fresh fish and a few brilliant tips on how to cook it. They gave me an excellent tip for barbequing Sea Bass, although it may be a bit nippy for that at Xmas! Whilst at Mill Hill East, A&D Fruiterers are a great place to get the Spuds and Brussels Sprouts!


3. Christmas Panto.
If you want to do something with the kids, the Arts Depot in Finchley has a whole series of shows and events for kids. The one that caught my eye was the Tiger that Came to Tea.

Another great place to check out is the Bull Theatre in Barnet. They have 'Twas the night before Xmas'.


4. Christmas Presents.
If I want to make my good lady happy at Christmas, I generally find that some Jewellery is a guaranteed winner. She is rather fussy, however I find that Rockman in Mill Hill are brilliant. I am not alone in thinking this. I've even heard Vanessa Feltz on BBC London mention this.

Sadly most of the things we get at Xmas we play with for an hour then we put them away and that's it. I personally would always recommend learning to play a musical instrument. Mill Hill Music Complex sell a great range of Guitars, Ukuleles, Violins and Drum kits.

Another thing which tends to go down rather well is a nice bottle of wine, whisky or Brandy. There is no finer shop to buy them than Mill Hill Wines.

5. A party.
There is nothing better to do at Christmas than have a party. We are having one! Whilst we can't fit most of our readers in the house, we hope we can fit you all in the Chandos Arms in Colindale. Even better, it's all free! Come along on Saturday 9th December for the Barnet Eye community awards and Christmas Party. There will be live music and a DJ. 

It will be a blast!

If you can't wait until the 9th, we will also be having a bit of a knees up in Mill Hill on 1st and 2nd of December. There will be live music, the official lights turn on and a Christmas market. Watch this space for more details.



6. Christmas Carols.
For me as a musician, I have a special affection for Christmas carols. They are a huge part of our culture and heritage and for many of us are the way we first got involved in music. There are several fantastic carol services. St Michaels Church in Mill Hill always have a great carol service and have an excellent choir.


Another event which looks to be rather special is the at St James Church in  New Barnet. The choir will be accompanied by the Barnet Band on the  17th December at 6.30.


BMCarol
Barnet mencap

Another great service to check out is the Barnet Mencap service.

There will be a short Carol Service, starting at 3pm, followed by tea and cakes.
St Mary's Church is located on Hendon Lane, Finchley N3 1TR, opposite the Barnet Mencap office.

If you're travelling by bus, it is near stops for the 82, 125, 143 and 326. It is a short walk from Finchley Central Underground Station.7.

For charities like Mencap, Christmas is a very important time of the year. For various reasons, their services can be quite stretched, so joining them for a carols, a cup of tea and asing song is surely a great thing to do.


Finally if you want a more modern take on a Christmas Choir event, checkout the Choirs are US event in aid of North London Samaritans.   With special guests: Gwalia Welsh Male Voice Choir
7.30pm Saturday 9th December 2017.  Ewen Hall, Wood Street, Barnet EN5 4BW,  Tickets: £10 adults (include glass of wine and mince pie).  Free for under 16's, Doors open 7.00pm.   Celebrate Christmas with some fabulous Christmas and pop songs from two great choirs!


8. Checkout some great live music.
Of course not everyone is into carols. There are plenty of other gigs and events coming up in the Borough of Barnet (apart from our party!).

There is far too much to list here, and there is a great website that lists all of the forthcoming gigs, so checkout http://www.barnetmusic.co.uk/

A few I've picked out that I'll be checking out

ThuDec14
gig details
The Portobello Jazz Band (Jazz, 6 piece) at The Greyhound, Hendon
8.30pm - 11pm Info »









SatDec16
gig details
The Looters (60s / 70s covers, 4 piece) at The Three Wishes, Edgware
9pm - midnight Info »








FriDec22
gig details
Odyssey Blues & Soul Band (Soul, Blues, Jazz, 4 piece) at The Elephant Inn, Finchley
First time here. Come down for a Pre-Christmas knees-up.
9.15pm - midnight Info »





9. Christmas Lunch.

Are you looking for a great place for a Christmas lunch? Here's a few suggestions. All of these are places I regularly visit and can thoroughly recommend.

The Chandos Arms, Colindale
https://www.thechandosarms.com/copy-of-main-menu?lang=it

The Bohemia, North Finchley
http://www.thebohemia.co.uk/wp-content/uploads/2014/05/Bohemia-Christmas-Pack-2014.pdf


Haven, Totteridge
https://www.haven-bistro.co.uk/pages/christmas-2016

The Rising Sun
Rising Sun Xmas Menu

This year, my business are having our party at Valentino's oon th A41. I always think of them as a Mill Hill venue, but they are of course in Hendon! They are also worth a visit
http://www.valentinositalian.co.uk/christmas-menus

10. And finally......
I spent a couple of hours putting this together for you. Please could you do something for me? It won't take you very long. At this time of year, I hope everyone has a great Xmas or festive season. Sadly some of us won't. Many families are under strain. Colindale Foodbank supports families during this period. Next weekend, the Sacred Heart Church in Mill Hill is having a collection for them. It's really easy. You just get a bag of non perishable food (They are asking for tinned meats, fish, soups, tea, coffee) and leave it in the reception area at the front of the church. The church is open from around 8am till 2pm then from around 5.30-7pm. Donations can also be dropped into the presbetery. The church simply acts as a drop off point, the food is collected on the Monday.  There is also a drop off point at Waitrose in Mill Hill. So if you are shopping there, simply buy a couple of extra items and pop them in the box. I was speaking to Fr Michael at Sacred Heart and he told me he was genuinely touched at how many members of the wider community now dropped off regular donations for the first Sunday of the month regular collection.


We couldn't finish, without a little music, could we. This is surely the finest Christmas song of them all.


.

Friday, 17 November 2017

The Friday Joke - 17/11/2017

Image result for coffee jokes
 
A middle aged woman went to her doctor to ask advice in reviving her husband's libido. 
"What about trying Viagra?" asked the doctor. 
"Not a chance," she said. "He won't even take an aspirin." 
"Not a problem," replied the doctor. "Drop the Viagra tablet into his  coffee. He won't even taste it... Give it a try and call me in a week to let me know how things went." 
When she called the doctor he asked how it went and she exclaimed, "It was horrid! Just terrible, doctor!' 
"Really? What happened?" asked the doctor. 
"Well, I did as you said and slipped it in his coffee and after just a few sips he jumped straight up, with a twinkle in his eye and with his pants a-bulging fiercely! 
With one swoop of his arm, he sent the cups flying, ripped my clothes to tatters and took me then and there on the tabletop! It was a nightmare, it was an absolute nightmare!" 
"Do you mean the sex your husband provided was no good?" 
"It was the best sex I've had in 25 years! But I'll never be able to show my face in Starbucks again!" 

Have a great weekend!

Councillor Reuben Thompstone - The worst committee chair in Barnet?

Councillor Reuben Thompstone
Cllr Thompstone
Councillor Reuben Thompstone is the chair of the Children, Education, Libraries & Safeguarding Committee for Barnet Council. In return for this, he receives a Special responsibility allowance of £15,333 on top of the ten grand basic allowance he gets as a councillor.

This Committee has a wide range of responsibilities, which include:

·         Planning the adequate  provision of school places in the Borough
·         Investment in educational infrastructure;
·         The Library Service
·         Cultural activities
·         Powers, duties and functions of the Council in relation to Children’s Services (including schools)
·         Approving the Children and Young People Plan

This Committee also leads on the Council’s responsibilities under the Children Act 2004 and Education and inspection Act 2007 to:

·         Oversee effective support for young people in care; and enhance the Council’s corporate parenting role
·         Oversee the multi-agency Youth Offending Team
·         Oversee the effective provision of support across partners for the well-being of vulnerable families - including the Troubled Families programme

The Children, Education, Libraries and Safeguarding Committee is made up of Councillors and co-opted Members.  This Committee has three co-opted Voluntary Aided School Representatives to provide a faith perspective on education matters.

The Committee also has two Parent governor representatives elected by other parent governors to represent the views of all parents on decisions relating to education.

I think most people would agree that this is an important role and that it deserves a chairman who is competent and takes the role seriously. Firstly lets consider what the role of a councillor is. Councillors are elected by the voters in their ward as representatives to ensure that the organisation is run in the interests of the voters, taxpayers and residents. They are expected to ensure that the paid officers do their jobs and that their is proper democratic oversight. Council meetings are held in public, so that anyone who is interested can see that everything is being run in above board fashion. The constitution of the council allows for residents to ask questions at meetings, make representations and present petitions. The constitution allows for a maximum of half an hour for this at meetings.

There is a very sensible reason for this. Councillors are meant to represent residents and this half an hour allows for residents to have their say. Regardless of whether councillors agree with what members of the public have to say, if they are doing their job properly, they listen with respect and if there are genuine issues, they should do their best to address these issues.

The role of the chair of the committee is to ensure that the meeting is run effectively. A primary role is to ensure that when members of the public interact with the committee, their concerns are addressed. Members of the public, who give up their time to address the committee do so out of a public spirited desire for the council to conduct their business in a proper manner.

I've asked questions on many occasions, presented petitions and addressed committees. Whenever I have done this, it has been because I felt the council needed to address serious issues. Unlike councillors, I don't get paid to do this. I get nothing at all out of the experience, except on occasion something to say in a blog. Most of the people who ask questions don't even get to write a  blog. They just care. One example of such a person is Gerrard Roots. Gerrard asked a question to the CELS committee on Wednesday night. Mr Roots was formerly the curator of Church Farmhouse Museum.  He dedicated his working life to the culture of our Borough and is clearly a man with a great wealth of knowledge and a huge interest in the cultural life of the Borough. He curated many exhibitions of great value to the people of the Borough and during his tenure, he built the reputation of Church Farmhouse as a highly innovative museum. many of the exhibitions were featured in TV and radio articles. I first got to know Mr Roots when the museum featured an exhibition about popular music in the Borough (http://www.bbc.co.uk/london/content/image_galleries/music_barnet_pop_exhibition_gallery.shtml) .
Our studio contributed many exhibits. Other excellent exhibitions I recall were ones such as the one of photography of the Spanish Civil War, the Harry Beck London Transport Exhibiton and the one LGBT culture in the Borough.

He is a very well respected member of the local community and he asked a question about the meeting held to put together a bid for the Barnet bid for London Borough of Culture, which was mentioned in the meeting Agenda reports pack - I would have expected Mr Roots to be a prime contact to attend such a meeting, given his wealth of knowledge, contacts and history of working in arts and culture in the Borough.
"Please give me a complete list of those 100 or so individuals and organizations invited to the workshop held in July, and the names of those who actually attended. Please tell me, too, the name of the 'outside facilitator' who convened the workshop. In addition, please give me a complete list of the individuals and organizations who participated in the follow-up workshop held on 9 November."

The response Mr Roots received was as follows

The request for information will need to be assessed through the Information Management Team due to the provisions in legislation, Freedom of Information Act 2000 and the Data Protection Act 1998. 
For further information and to make a freedom of information request please visit the following webpage:
https://www.barnet.gov.uk/citizen-home/council-anddemocracy/data-protection-and-freedom-ofinformation/freedom-of-information-act.html
I was present for the meeting. Mr Roots used the opportunity to ask a supplimentary question. What ensured was perhaps the worst example of how a chair should behave I have ever seen. Mr Roots was rightly upset that he'd received a complete non answer. As a very minimum, given the huge sum Councillor Thompstone is paid as a committee chair, I would expect him to read answers to questions and to challenge the officers if a non answer is given. Mr Roots asked why he'd received a non answer. It was clear what information was required. The council could redact any individuals name that they wished. He asked for the individuals and the organisations. There is no reason why a list of the organisations asked couldn't be provided. I personally cannot see why there is any privacy issue in regards to individuals attending if they are representing an organisation at a council run meeting, however they could have said "A representative from Brent Cross shopping centre" had they wished.

The organisations represented included Barnet Clinical Commissioning Group, CommUNITY Barnet, Barnet and Southgate College, Middlesex University, Brent Cross shopping centre,
Metropolitan Police, Job Centre Plus, Groundwork London, Federation of Small Businesses, West London Business, Argent Related and Saracens, according to the report.

I would have expected those attending to be aware that the council has an openness and transparency policy and that they should have been informed that their names may be made public. Given that a bid for London Borough of Culture is a positive and good thing to do, any individual should welcome the opportunity to be named as a represenatative. It seems ironic that Mr Roots name has appeared on the council website, when names of people attending a meeting, which I believe should be open and transparent is deemed "Private".

In short, the official rather than helping a resident with a valid question, were as obstructive as possible. Mr Roots was simply told he had to issue an FoI request. Given that the council were discussing the bid, councillors and members of the public had no opportunity to actually find out who had been engaged. Not only that but Councillor Thompstone, rather than standing up for a taxpaying resident with a genuine interest in culture, rudely dismissed Mr Roots, once it was clear that the officer was not interested in answering.

I also spoke at the meeting. I had previously emailed all of the councillors, to make what I believe were helpful suggestions. Mr Thompstone did not acknowledge my email. When I spoke, he did not welcome me or thank me. I was polite and I believe my input could only be construed as constructive, even if he didn't agree at all with what I was saying. I may be old fashioned, but I detest bad manners. I had put myself out to attend his committee and make a positive input to a process which should be good for Barnet. Councillor Thompstone treated me with complete contempt. Now you may think that he simply sees me as a trouble making political opponent. If he does, he clearly didn't read my email or listen to what I had to say. If he isn't doing that, then he's really not doing his job.

My mind went back to when I addressed the Audit Committee chaired by Hugh Rayner in September. I also made a statement at that meeting (as did fellow blogger John Dix). It was a difficult meeting for Cllr Rayner. However, he made a point of thanking myself and John after and assurring us that he was listening to our comments and taking them on board. He also thanked us for our efforts. Whilst I disagree with Hugh on many political issues, I respect him and think he is a decent chairman. He clearly recognises the rights of residents and the value of engagement. He also was quite happy to challenge Capita and demonstrate leadership in his role.

Sadly Councillor Thompstone is the opposite. As well as Mr Roots, fellow blogger Theresa Musgrove and Local campaigner Barbara Jacobson also asked questions. Mr Thompstone repeatedly interrupted Ms Musgrove, hectoring her saying "have you actually got a question". Ms Jacobson was treated with equal contempt. Councillor Thompstone answered no questions. He simply asked officers to respond. That is not what a char should do, especially when officers are not providing answers.

We then had a lady presenting a petition on School funding. Labour Councillors asked for Councillor Thompstone to write to the Secretary of State for education to ensure that Barnet does not lose out when the new funding arrangements are introduced. Councillor Thompstone asked the lead officer to explain what he was doing in this respect. A cross London organisation of Boroughs is working to make the case. The officer felt that his was a good forum to apply pressure. Labour members agreed, but asked if he could also write to the secretary of state, to specifically make the case for Barnet. Councillor Thompstone refused. I was quite shocked. As a Conservative Council, with many outstanding schools, Councillor Thompstone is ideally placed to try and get a good deal for Barnet pupils. Tory Councillors across London are doing just this. Sadly Councillor Thompstone, the man responsible for education in Barnet, does not think it is necessary to try and work for a better deal.

It may amuse you to know that I was out for a few beers with a mate of mine last night, who is a Tory Councillor in Bedfordshire. He was telling me that he's currently furiously lobbying the Tory government about changes to the rail service, which will adversely affect his ward and the residents who elected him. This is what good councillors do. I've attended most of the committees of Barnet Council. It is clear to me that of all of these, Thompstone is the worst chair (IMHO). Not only is he rude, but he doesn't take responsibility, doesn't listen and is cowardly. Failing to write to the secretary of state to defend Barnet Schools is a shocking dereliction of duty. He gave no reason other than "I am not into political grandstanding". If Councillor Thompstone is unable to write a letter to the secretary of state for Education which lays out good reasons why schools in Barnet need to have their funding protected, then he is not up to the job and should let someone who will take responsibility do the job. If he thinks standing up for pupils and schools is "grandstanding" then lord help us. I have a vested interest in this. I am the chair of a trust which is responsible for raising funding for one of Barnets top schools. I have seen first hand just how devastating the current financial position of schools is becoming. When flagship schools, which are in the list of top schools in the country can't balance the books, something is seriously wrong.

During the meeting, perhaps the most useful input came from Councillor Helena Hart. She is a long standing Tory councillor who clearly takes her role seriously. She is chair of the Health and Wellbeing board and is an excellent councillor. It is no surprise to me that Barnet failed an OFSTED inspection for childrens services when they let a buffoon like Thompstone run the committee. If I was the Leader of The Council, I'd promote Helena Hart to the job. She would do the job properly and I would have no material for blogs like this. But sadly in the London Borough of Barnet, being good at your job means nothing when the allowances are dished out. These committee chair roles are simply used as a mechanism to dish out taxpayer funded allowances to political allies.

The only quality Thompstone demonstrated that could possibly justify his role is the fact that he's clearly an excellent brown noser, who wants to stay in with his political masters. He clearly thinks writing to the secretary of state to defend Barnet schools is a bad career move as he plots his political career. Sadly he is too dim to realise that if he makes a good case, he will come to the attention of the high fliers and will be seen as a man who can do tough jobs.

I will wrap this up with a question about leadership. Who was the greatest ever Tory Prime Minister? My vote would be for Winston Churchill. Churchill was not afraid to stand up for his beliefs, he was fearless. What do you think Churchill would have made of a spineless individual, unprepared to stand up for the students who he is responsible for educating? I doubt that Thompstone would have got on in Churchills Tory party. Sadly though, things are done rather differently in Barnet.

Thursday, 16 November 2017

How to succeed in the world of music and culture

Ok, let me put a few cards on the table. In 1979 I started a business that has grown to be one of the worlds leading centres for musicians to rehearse and record. We have musicians coming from across the world to record music. This week it is one of Africa's finest musicians Fiston Lusambo, working on his latest album.


The studio business runs without subsidies and is unencumbered with debt. I'm also on the organising committee for Mill Hill Music Festival. This is one of the few music festivals that receives no subsidies from the taxpayer. We put on Opera, classical music, Jazz and a whole host of other music. The finances of the festival are extremely healthy and this years festival was a great success. I also help organise a whole stack of other festivals and events. I mentor bands and artist and advise them on how to have a sustainable career. This year, as one example, I've helped a band called The Black Doldrums. As a direct result of my advice on crowd funding, marketing and merchandising, they've managed to release an album, sign a record deal, tour the US and UK and elevate their career. I explained how they could use crowdfunding and merchandising to develop their potential. As a result of this advice they are on tour as we write this and recording their second album.

I'm in the lucky position that by and large I can pick and choose what I want to work on, because I've been successful. It may surprise you to learn that people pay me to advise them and speak at events. I generally only do this when it is something I am interested in. Generally I don't seek a fee as I really don't need the cash, but if it is a commercial organisation and they are doing good things I will take a fee.

Generally most people treat me with respect and recognise that I know what I am talking about. I understand music and I know many of the worlds top musicians. I apologise for writing this "I am wonderful" blog. I generally don't really like telling the world what a marvellous person I am. I didn't get into music for accolades, I do it because I love it and it is life enhancing. But I do know what I am talking about and I have the CV to prove it.

So what is my secret? How do you succeed in music and culture? Well there is no secret at all. There are three simple elements.

1. Hard work. If you are not prepared for the slog, don't bother. For me, this has not come over a few days or weeks. It's been nearly four decades. I am constantly exhausted. Late nights, early mornings, crisis after crisis, people continually lying, bs'ing and letting you down. The earth is promised and nothing delivered. I've built studios from materials I've reclaimed from skips, rigged PA's for festivals in torrential rain and lightening, threatened gig promoters with physical violence when faced with non payment of commitments, consoled artists after personal tragedy, done my back in lifting heavy PA gear, seen relationships fail when I've been to busy to nurture them. The upside has been awesome but the downside is soul destroying at times.

2. Set clear goals. This is perhaps the most important. For the first fifteen years of our studio business, we had no focus. It was just a place for our band to rehearse and to earn beer money. I realised that it was potentially a great business but my then partners didn't share my vision. I amicably bought them out and got a new business partner, who shared my vision and my desire for success. We also started to get involved in local festivals, as part of a wider strategy to ensure that our customers had a thriving scene to make their efforts worthwhile. We wanted to be the best studio, a one stop shop for artists and a cultural hub. And we wanted to do it without subsidies or grants. I believe these damage the focus of many organisations. I've seen so many, surviving on public money, serving the management rather than the artists. Often these organisations are lead by patronising individuals with no talent, who stifle creativity and innovation. For us, it is important to constantly reinvent ourselves. If we fail, the customers go and we go. Sadly many artistic organisations simply gobble up cash to pay people to do nothing useful. Of course there are also great creative organisations that receive subsidies and couldn't exist without them. I'm not suggesting that the V&A for example could run commercially or even that such an idea is desirable. What I am saying though, is that if you want to build a creative business, the financial discipline of commercial reality should be viewed as an asset. It will ensure you focus on the right things.

3. You need a great team around you. From the early paragraphs you may think I have an inflated view of my own capabilities. In truth, none of it would be possible without the teams I am a part of. For Mill Hill Music Complex, we have a great team. Every staff member makes a huge contribution. I will pick out a few, just to illustrate this. Clare looks after the finances and billing side. If these don't get paid, we cease to exist. As company secretary, she is absolutely key. She previously worked for Central TV, ensuring productions such as Sharpe, which was filmed in the Ukraine, were effectively managed. She is also a fine musician with the BBC Elstree Concert Band.She gives our organisation planning and financial discipline. She also understands our mission and ethos. Darren is our studio manager. He organises our staff rosters and day to day management of operations. He's been with us for 17 years. Fil is our chief recording engineer. He's a talented musician and is very gifted as a sound man. He's been on the staff for 20 years. Stuart is our equipment tech, previously he ran Manta and Rocket studios. He's also a working musician. He's been with us for 20 years. Then there's Kasia, our cleaner. If we had filthy toilets etc, we'd have no customers. She is as vital to the business as anyone else, in some ways more so. It is attention to such details that make the difference between success and failure. There is Kelechi, our web designer who ensures the studio websites work. There's Derek, who is our building designer and creative guru. There's David, who is our electrician. Then Carl, Ted,   Steve, Nick, Matt and Tom, who run the reception shifts, detailing with customers and keeping the show on the road.

You may wonder what I do? Well sometimes any of the above jobs, but mostly just plan strategy and direction. I work out our priorities and hopefully ensure the team have the tools to deliver them. Ultimately we need to make a profit to survive. Mostly this is around advertising and promotion. So there it is, the secret of how we've built a successful business that's known around the world. Of course we don't always get it right and every day brings a new challenge, but as we have over 1,000 musicians a week pass through the doors, and our customers have included Amy Winehouse, The Damned, Kate Nash, Mose Fan Fan, The Beautiful South, London Grammar, Eddie Floyd, Tom Jones with Chicane, The BBC, Channel 4, ITV to name a few, we must be doing something right. I consider myself lucky to have been born and raised in Mill Hill, an ideal location for such a business. I was also lucky that my father was a small businessman and was happy to rent me premises and advise me. Unlike some (The current US president) my parents didn't financially back my business. My Dad said 'it has to stand on its own and you have to work hard to make a success of it'. That was the best advice I ever got.

Wednesday, 15 November 2017

Barnet Borough of Culture - my suggestions for a credible bid

Tonight I am addressing the Barnet Children, Education, Libraries & Safeguarding Committee, who are discussing proposals to put together a bid for Barnet becoming the London Borough of Culture.

The members  of the committee are as follows:

As I only have three minutes and there is a lot to say, I am emailing them as follows, prior to the meeting, to ensure they understand the points I am making and that I am serious. Here is my email

Dear Committee members,

Tonight I will be addressing the CELS committee regarding the subject of a proposed bid for The Barnet Borough of Culture. I have taken the opportunity to email you prior to the meeting, so that you can have some background to my proposals and so that you can give the issue some serious consideration and formulate any questions or ideas you may have.

Having read the papers, I feel that the whole structure of the process of putting a bid together is flawed. The formation of the steering committee and the invitees to meetings strikes me as far too corporate and top down to have any real prospect of success. Whilst all of the organisations are worthy in their own way, they are generally not involved in culture or arts as a primary function.

To have a credible bid, Local stakeholders should have been engaged. I have put together a non comprehensive list. I would suggest that if we are serious, each group of ward councillors should reach out to their local ward organisations and provide a full list of all relevant stakeholders, who could feed into a bid. Below is a list I managed to pull together of the type of organisations that should have been involved.

1. Small charities, like ArtReach, Nutmeg, BEAT, Community Focus.
2. Charities that do not have arts and culture on the label - Age UK Barnet, BMER charities, MIND, Alzheimers Society, BBSI, Barnet Mencap, etc, because they are probably engaged in some of these activities (arts and crafts, dance, singing) and they have audiences
3. Large businesses associated with the creative sector - ie fashion companies - Pentland, Halletts Retail, and Barry M.
4. Venues - Phoenix and Everyman cinemas, The Bull Theatre, Chickenshed, the pubs and clubs that have live music like the Chandos Arms, The Butchers Arms, The Bohemia and also places like the Art Stables, Finchley Youth Theatre, Clitterhouse Farm.
5. SMEs - Mill Hill Music Complex, The Filmyard, Planet Jump, Maven Designs, Rekid Records, Acxis Architects, dance schools, Bodens, drama clubs, amateur theatres, music schools, art classes
6. The artists networks - East Finchley Open Artists, Creative Cricklewood, N12 Artists, North London Artists Network, Studio N3  and The Mill Hill Musical Theatre Company.
7. The historical societies - Barnet Museum, Battle of Barnet dig, HADAS, Barnet Society, Finchley Society, Mill Hill Historical Society.
8. The many festivals in Barnet - Cherry Tree Woods Festival, Mill Hill Music Festival, East Barnet Music Festival, Proms at St Judes, Finchley Literary Festival, North Finchley Music Festival, East Finchley Arts Festival, Clitterhouse Farm Arts and Crafts Festival, and Barnet Horse Fair.
9. The business networks - Love Your Doorstep Barnet, N2 Unlimited, Athena Network, Buzzing Business Club.
10. Schools and colleges, specifically inviting those with creative societies and clubs (ie film clubs, photography clubs and drama clubs)
11. Local Churches. Choirs, groups etc
12. Local youth groups, Rainbows, Cubs, Scouts etc who may be interested.
13. Local community radio staions (LGR, Barnet Community Radio, etc)
14. Local Libraries




I would suggest a formation in each ward of a ward panel or grouping, to pull together a list of assetts and activities that could feed into the bid. I would suggest that councillors facilitate this but do not lead. I would suggest where possible using libraries as a hub for these activities.

On a borough level, I would suggest appointing an Arts and Culture Tsar, who has a leadership role and resources to pull this all together. It must be someone with arts experience. I would suggest that the person is a political nominee and ideally would have across the board support. I would suggest that as a minimum, they should have experience of organising festivals and work in an arts and creative sector.

As to the role of organisations such as Brent Cross and the other corporate entities, their commercial nous and potential to host events should also be recognised and it would be great for them to second professional resources for finance, promotion and logistics support.  I would recommend the creation of separate sub committees to facilitate and support all events. Middlesex Uni could also provide

This is how I think Barnet might actually succeed.

Regards
Roger Tichborne




Tuesday, 14 November 2017

Transgender children - Where is the compassion?

Last night, I saw a "so called" Christian on the news, ranting about the Church of England instructing schools to allow children to dress as they feel comfortable. They are seeking to stop bullying and marginalisation of such children. I cannot possibly see how anyone would want to see any child be bullied, least of all in the name of Jesus, who as I understand it, came to preach compassion and tolerance.

I have little experience of the Trans community, but bullying is bullying and trying to spare the vulnerable this mental torture seems to me to be eminently sensible and compassionate. I have one small experience of gender re-assignment. Back in 1983, I was in the Beehive pub in Edgware with my ex. A large, hairy biker came over and started chatting to us. Paul was a really nice bloke and a good laugh. It soon became clear that he knew my ex of old and was a very close friend. We had a pleasant evening, and I thought no more of it.

When we got home, the Ex said to me "The'res something you should know about Paul". I enquired. She then said "At school he was my best mate". I wasn't particularly surprised. It was clear they were good friends. Then she said "When we started, he was a girl called Heather. We became mates from the first day. One day he disappeared and six months later came back as Paul. His genitals had not properly emerged and he'd been incorrectly labelled a girl". This did surprise me. I asked her "How did you take this? How did the school deal with it" She said "The school simply explained he'd had to have an operation, because a mistake had been made and everyone got on with it". I then asked "How did you feel?". She said "I was terrified". I asked why. She said "I didn't want to lose my best friend". She then said "Once he was back, we stayed best friends, it wasn't a problem".

And that is the hub of the matter. Why on earth should it be a problem. I don't suppose anyone will say anything about Paul, because it was a "medical error". Why should that be any different whatever the circumstances? A person is a person and deserves to be treated equally and fairly. (I've changed somenames for this blog. )

Monday, 13 November 2017

Barnet bid for London Borough of Culture

On Wednesday at Hendon Town Hall at 7pm, Barnet Council will be discussing a bid to become the London Borough of Culture. I have requested the opportunity to address the committee, to try and bring some common sense to the process. As we mentioned last week, the council have set up a steering committee to try and pull this together, but quite perversely have neglected to invite most of the most active organisations promoting culture.

The concept that Barnet could win on the grounds of our world class cultural venues, our libraries our museums is clearly bonkers, given that there are no venues that could compare with the Albert Hall or the Roundhouse, our sole world class museum is the RAF museum, which although brilliant, is not primarily a cultural venue in the way the V&A is. As for our libraries, given that most have had a haircut by the Tories (at the same meeting they are discussing the £7 million savings they've made) following a 50% reduction in library space and the hiving off to voluntary organisations. As for what they did to one of our prime cultural spaces, watch this


You may think I think the whole concept of the idea that Barnet Council could bid for the title is bonkers. Actually, I don't. I think Barnet could actually make a brilliant case. I think we are the Borough with the finest cultural heritage in London. But our cultural heritage, unlike Kensington and Chelsea is not fantastic Victorian Museams. Unlike Camden, it is not great music venues, established in the Hippie and Punk era's. Our cultural heritage is a twenty first century example. We have a whole army of cultural warriors, fighting to preserve our culture and history in the face of a council bent on imposing austerity on us.

No Borough in London has seen a cultural explosion like Barnet in the face of austerity and cuts in the way Barnet has. For me, this twenty first century phenomena started in 2008, when local residents started to chronicle what was happening. To me, our blogs are like Samuel Pepys diaries. They are central to The Barnet culture. They are our Samizdat media, in the face of an uncaring bureaucracy.

Then there are the people, prepared to fight to preserve our culture. When the council closed Friern Barnet library, we reopened it ourselves. First on the lawn outside, then with Occupy, back in the building. What stronger cultural statements could we make. When Church Farmhouse museum  was closed, we made films to chronicle it. Not big budget, but grassroots. Spurred by this, the community then made two 30 minute documentary films, both shown to sell out crowds at The Phoenix Cinema. National TV came to witness it. We even got BAFTA winner Ken Loach to speak on them.

Music has also been central, a packed house at The Arts Depot saw iconic 60's multi racial soul band,  The Foundations and local bands, including my band The False Dots, rock a rally against cuts and outsourcing. This was streamed live to thousands who couldn't make it. Whilst the council is incapable of streaming council meetings, we streamed the whole thing. The event was a rip roaring success.

Then we have the Bohemia, a much loved pub, shut by a failed brewery chain. We reopened it and made it a community hub, I had the honour of playing in the space. As a result of the action, it has become a massively well loved micro brewery, which hosted a music festival earlier this year.

The 'Bohemia' community, which grew out of the Bohemia centre, then engaged with the Sweets Way  and West Hendon protests. A huge upsurge in cultural awareness occurred when Russell Brand turned up for a much chronicled sleepover in Sweets Way. This was a much filmed event and there was huge media interest. Brand also featured West Hendon on his Trews project.

To me, this exemplifies what a vibrant cultural scene can achieve. Bonds and friendships are made, new forms of art and culture develop. There is a misconception that culture and art are for the rich and well off. Nothing could be further from the truth. Vincent Van Gogh was plagued with mental illness and committed suicide, unloved and unrecognised by the stale art dealers of his time. Mozart was told his music had 'too many notes'. Jazz and Blues was the music of the poor. I suspect  and downtrodden. Punk was born in squats and squalor. The Barnet Council vision is one driven by sterile corporate entities. I suspect they envision a few nice paintings and a few high brow events, maybe with a few comfy receptions for the Mayor and the great and good. I suspect the exciting and vibrant real culture of Barnet will be completely ignored.

It is up to us to make sure the real culture of Barnet is property represented.

Sunday, 12 November 2017

The Tweets of the Week in the London Borough of Barnet - 12/11/2017

So here we go again, it's time to see the world through the eyes of our local tweeters. And be kind and follow any who tickle your fancy!

1. This made me laugh! And cry


2.We think this is rather a good illustration.


3. We are big Laurel and Hardy fans, so how could we resist this!


4. Doing anything Monday? Well why not join us at the Chandos Arms in Colindale for the Folk night. The False Dots will be previeewing an acoustic arrangement of a few new and old tunes. There are some great musicians coming down.


5. I rather hope this makes you as proud as it makes me. It sort of brings home why the sacrifice was worth while.


6. This is a pretty important tweet in the bigger picture. It shows what sort of a community we are and what are values are


7. A date for your diary, if you are in and around Crickelwood


8. Says it all really


9. And lets not forget, we still have heroes. It's a crime that we don't listen to them


10. We had some fun in Mill Hill yesterday!


That's all folks!

Saturday, 11 November 2017

The Saturday List #154 - 10 situations where I should have known better

"I should have known better". How many times in your life have you said this? I haven't kept a list, but I would guess that it would be at least one hundred and fifty four times. You may wonder why I have chosen this subject today. Well today is the 154th in this series. 154 is also the name of the third album by Wire, who are one of my favourite bands. The opening song is "I should have known better". So what better day to cover the subject.  I have never really paid much attention to song lyrics. I am a guitarist  in a rock and roll band, so tend to let them wash over me. However over the last few weeks, we've seen plenty of situations where we can imagine politicians, actors and public figures saying to themselves "I should have known better". I read the lyrics of the song and chuckled


In an act of contrition

I lay down by your side

It's not your place to comment
On my state of distress
For this is for real
I've tears in my eyes
Am I laughing or crying?
I suggest I'm not lying



I haven't found a measure yet to

Calibrate my displeasure yet so


To ignore my warning

Could be your folly
The judgement is harsh
I offer no plea



Valuing the vengeance which you treasure

I've redefined the meaning of vendetta


The procession's disordered

You protect your possessions
In light of your actions
I question your love



May I make an observation

Your bite is worse than my aggression

Copyright 1979 - Graham Lewis

So that's why I chose this particular list. Hopefully you'll be pleased to know I don't have a list of situations where I've abused my power as a politician, a film maker or an employer. But I have plenty of situations where "I should have known better". I suppose I could produce a long list of Saturday mornings, where I've awoken with a hangover, however that would be rather dull. So I thought I'd set a few parameters. In all situations, I probably realised before I embarked on the activity that it was folly, but I did it anyway, with scant regard for common sense. Enjoy.

London in the Snow (Pic Favim.com)
1. Going out for dinner with a snowstorm predicted. 
We arranged to meet friends for dinner on a Saturday night in January in Mayfair a few years ago. For several days before, the weather forecast was predicting snow. My view was "Oh they never get that right and the trains are always OK". My arrogant assumption seemed to be born out as we made our way into town. We tucked into a lovely meal at The Pollen Street Social, washed down with several bottles of wine.  When we emerged, I realised the error of my ways. London was caked in snow. Nothing at all was moving. It took five and a half hours to get home, for reasons I can't quite fathom, even the Victoria line wasn't running. We ended up getting a bus to West Hampstead and eventually a Thameslink train came. I won't make that mistake again.

2. Getting a lift home from a stranger when drunk.
When I was sixteen, I used to go out to gigs all the time, with little money. Back in the 1970's clubs would shut after tubes and buses finished. Somehow, I always managed to get home. Often I'd hitch. The last time I did this was on the A41 at Finchley Road, a nice chap pulled up and asked where I was going. I said Mill Hill and he said "I'm passing through there". So in I hopped. At Brent Cross, I was a bit surprised, when he turned onto the North Circular. Then he turned up the M1. I said "Hang on, this doesn't stop in Mill Hill". He replied "We are going back to Watford for some fun". I realised that his plans were not at all aligned with mine. I'd had quite a lot to drink and felt very uncomfortable. Then I came up with a cunning plan. As we passed through Mill Hill, I announced that I felt ill and was going to be sick. At this, he screeched to a halt. I jumped out. If you know the M1, I was stuck between the railway and the M1. I sprinted across the M1, jumped the fence and was in my back garden. It scared the living daylights out of me.

3. Taking a train to Stockholm when the clocks change.
In 1981 I moved to Stockholm for six months, to be with a young lady I'd met. I decided to go by train. I bought tickets to Stockholm from Mill Hill Broadway. This involved a train from Liverpool St to Harwich, a ferry to Ostend, a train to Copenhagen, another traon to Helsingborg, a ferry to Helsingforth and a train to Stockhom. We didn't have mobile phones, so all communications were by letter. I said I'd be arriving on train X. When the ferry arrived in Ostend, I realised the plan had gone wrong. The clocks changed in Europe two weeks before the UK. The ferry did not connect with the train. To cut a long story short, I was completely stuffed. I had to get a train to Germany, another train to Copenhagen and in the end I arrived 24 hours late. To make matters worse I couldn't get in touch with said young lady, so I had to get a room in a youth hostel. I decided after that, that whenever I travelled, I'd make damn sure all the connections were valid.

4. Getting drunk in foreign hotels.
By far the most embarrassing experience of my life, the one we all have nightmares about, happened to me in New York in 1991. I'd arrived on a flight from London, checked into the Washington Square Hotel, then gone for a drink. I'd ended up having eight pints of Guinness. I went back to the hotel, stripped off and passed out. At some point in the night, I awoke needing to use the bathroom. I stumbled around in the dark, completely disorientated. I walked into what I thought was the bathroom and clunk, the door shut. Only then did I realise I was in the corridor of the hotel, naked and without key. I had to go to reception and get them to let me back in. I have never made that mistake again. 

5. Babysitting the child from hell.
When I was a teenager, I used to earn a few quid babysitting for family and friends. One such couple had a daughter who was a tad willful. She was a lovely toddler, but didn't like mummy not being around. I was informed that the plan was that she'd be put down. Apparently she slept like a log. Once she was asleep, mummy and daddy would sneak out. I was studying for A-levels, so could do revision for a few hours. All went swimmingly. As I arrived, the door was silently opened. I crept in and was informed said child was fast asleep. I sat down, made a cup of tea and got my books out. The parents departed (no mobile phone then). They told me they'd be back at 11pm. After half an hour, all seemed well when a little voice announced "Where's mummy". The little darling had woken up. I said "Don't worry, mummy has just gone out to the shops". That was met with "WAAAAHHHHHHH!". The little darling started screaming. She didn't stop. The parents left at 8.15pm. The screaming started at 8.45pm. The parents had a lovely night. They got back home at 1am. The little love made so much noise that the old lady next door came around. She tried to console the little love, also to no avail. Nothing worked. I didn't realise it was possible to scream for four hours continually. And guess what. When mummy and Daddy came home, all signs of the tantrum abated as the car pulled up. It was the worst night of my life. 

6. "You can't polish a turd!"
It's an old saying in music. If someone is talentless, there really is nothing much you can do. When I first started recording bands, a very rich chap approached me. He wanted to make his daughter a star. She wasn't particularly attractive. She couldn't sing and she was the type of obnoxious you could only be, if your parents are stinking rich and no one has ever said "NO!" to you. Daddy had hired a team to make her a star. Money was no object. We all went out for a dinner and I realised that all was not going to be easy. The said young lady was incredibly rude to the waiters. I actually said to one "Look, I'm just the staff, I don't like her either". The next day, I phoned the PR Lady. She suggested that we go for a drink to discuss the situation. I said "Look, I can't work with her". She said "Her Dad is loaded, just look at it as a payday". They'd sourced a song from a top songwriter. We recorded it. I had got a friend to sing the guide vocals and it sounded great. I thought "how could it possibly not work", all she had to do was sing vaguely in tune and in time and it would be a half decent pop song. You can do stuff in the studio to mend even the worst singer, so I didn't envisage too many problems. Sadly Daddy had a cunning plan. He thought it would be a good idea to film the recording for posterity. He'd paid a professional crew to record it. From the word go, it all started to go wrong. The young lady couldn't come in on time or in key. However it wasn't her fault. Nothing was. Eventually she threw a tantrum and walked out. I'd paid the session musicians and Daddy refused to pick up the tab, he said "they were out of tune". Not only was it the most horrible session ever, but I ended up out of pocket. My only solace was that he tried it again at one of our competitors, who later called me and told me that his session was even worse.

7.  Being pleasant to Brian Coleman at Watling Festival.
My company used to sponsor the sadly missed Watling Festival. I also used to organise a childrens five a side football competition for the event. The organiser was the formidable Patty Skeats. She was friends with disgraced ex councillor Brian Coleman, who was actually rather supportive of the festival. This was before I'd taken him to the Council Standards committee  him or his assault conviction. He turned up with Patty for  a tour. To my horror, I found myself in a room with him and Patty. As I was helping her, I tried to be polite, but Coleman blanked me. I wasn't too upset, I'd simply been getting some orange juice for the referee. When I took Coleman to the standards committee, he claimed that I'd "harassed him at the Watling Festival". It was a complete lie and there were several witnesses. However, I do wish I'd just blanked him. A lesson worth learning is that if someone is a pathological liar, you will always get problems.

8. Playing football with a groin tear
We've all done something like this. We've got a small injury and we think "Oh it's nothing, I'll be fine" and made it ten times worse. To cut a long story short, I had a pain in my groin following football. I saw my physio, who said "rest it for four weeks". After two, it felt OK. I played and the damage saw me having an operation.

9. Going for a beer with Pete Conway on my Ex's Birthday
Pete Conway used to be the singer and bass player in The False Dots. We fell out. I hadn't seen him for a few years, when I bumped into him on the way home. It was my ex's Birthday and we were meant to be going out. Pete suggested we had a quick pint and a chat. I said "just the one". At 10pm, he suggested we went to a club, as it was probably too late to retrieve the evening. We stayed their till 4pm, then went to Smithfields for breakfast and more beer. I rolled in at 11am. An alarm clock was thrown and I needed 17 stitches in my head. 

10. Working for a mate.
Never take a job working for a close friend. You can have friends, you can have a boss. It is very hard to have both, especially when you are working in a large organisation. You can find yourself in a situation where you need to say things, but you have to choose between your friendship or career. My advice is don't.

Have a great Saturday, enjoy the inspiration for this blog!