Showing posts with label Elaine Delmar. Show all posts
Showing posts with label Elaine Delmar. Show all posts

Sunday, 21 June 2009

Mill Hill Music Festival Diary : Music brings people together


One of the things that you find when you do sound systems, especially at gigs such as the Mill Hill Music Festival, is that you have frantic periods of activity followed by long periods of boredom. The PA crew arrive first. They have the heaviest gear to set up. That all has to be in place before the band can start their setup. You work towards the soundcheck, which is probably (or should be) your most crucial time. When that's done, you don't have much to do (except possibly play a few CD's) until the band take the stage.

Professional soundguys don't get pissed on the job. Therefore you have plenty of time to contemplate life. Watching Elaine Delmar sing last night got me thinking about the way music has changed my life and the way I think. When you are in a band you develop a strong bond with the people you play with. You spend time in each others pockets so you can also develop an intense dislike (especially if you steal another band members partner!). One thing you quickly realise is that racial & religious intolerance is a completely ridiculous concept. If you are playing with a talented musician, you don't think she's Black or he's Jewish. You just feel honoured to share the moment with them. It is pretty much the same with sport. I remember one football team I played for recruited a fantastic black player, who transformed the team. One of the other team members privately told me that he "usually didn't like blacks, but ****** was ok". I asked him how many other black people he actually knew and perhaps unsurprisingly, he said none. Over the course of time, the two players became firm friends & developed a huge mutual respect. That is why sport and music are important. They unite us around our strengths. They break down barriers and we see people for their worth, not through our prejudice.

My company sponsors the Mill Hill Music Festival. I do it all for free, as does the rest of the committee. It takes a major chunk out of my life, for instance I'll hardly see my kids on fathers day. I see it as an investment in society. We had an excellent crowd last night. Many of the older customers tell us they love live music, but can't easily get up to town to see it. For some it is the highlight of the year. At the last festival, a couple of old ladies from the Drapers homes on Hammers Lane approached me at the Dixieland Jazz Lunch gig at the Three Hammers. This is a free event. They expressed their gratitude to us for organising it. They said that there wasn't much they could get to these days.

That's why we do it and that is the payback. Got to go, got a jazz lunch at the Hammers to help at, then it's down to the Adam and Eve for the Good Old Boys (featuring Alan Barratt, Nick Semper (ex Deep Purple), Pete Parks, Simon Bishop & Richard Hudson (the Strawbs), and a big PA to rig

Mill Hill Music Festival - Dear Diary Day 1

Day 1 - Saturday. Quench cafe - Elaine Delmar. The first day of a festival is always stressfull. There is always the nagging fear that it will all go wrong. My role in the festival is to sort out the sound. Unlike the rest of the team, I do nothing till the week of the festival, then have the ultimate responsibility for the success or failure of the evening. We started the festival with a new venue, a 17 piece band and a new PA rig - no pressure then.

Having 30 years worth of experience helps me a lot. The Quench Cafe is a challenging venue. A glass wall, a huge echo. Probably the worst accoustics for a 17 piece Jazz band to play to our target audience. The upside was a talented group of players and a great, highly experienced singer. I've done the sound for many Jazz bands and the challenge is always the same. It is the complete opposite of rock bands, who know that getting a good sound is your job. Jazz bands always think they are marvellous and don't need a sound guy.

As such, whilst rock bands treasure a sound check, some jazzers treat it with disdain. This isn't really a problem, as I understand the genre & the dynamics, it just means that often the first set is a bit of a "live soundcheck". Time and again we get the same comment "Why did the first set sound worse than the second" - Because you didn't do a proper sound check and we had to get the levels sorted out.

Luckily for me, my co-conspiritor Gerry Keane, knows the way I work. We made a few adjustments in the interval, repositioned a few microphones, when the beady eyes were looking the other way and hey presto - it all went swimmingly. Elaine Delmar is a great singer, so it was a pleasure to see her in action. The Double bass player and the drummer in the backing band "The Alan Ganley experience" were also very good. Personal highlight was Elaine's rendition of "Smoke gets in your eyes".

As with all gigs, the sound guys are the last to go home. I just made it into the Mill Hill Tandoori before they put the lights off. Chef had gone, but they gave me a pint. That was bliss. Onto the Good old Boys at the Adam and Eve tomorrow.

By the way, it was nice to say hello to the Barnet Eye readers who introduced themselves to me. Especially the guy who asked me three times which one was Rog T. After the third go at saying "That's me", he replied "Oh, you don't really look like I imagined". I replied "Oh, so you were expecting someone older, fatter and balder". He diplomatically responded "I don't really know what I was expecting.." Then he smiled and said "Keep it going, I really think that you are sayings thing which need saying".

As I was working I had to crack on. I really appreciate people saying hi, please just remember I'm working doing the sound at the gigs, so I can't chat too much, I reall hope I don't come across as rude, if you catch me when I'm really busy, I just have to focus on making the band sound great for the paying public.

Friday, 8 May 2009

Mill Hill Music Festival - sneak preview number 1


Over the next few weeks, we'll be previewing a few of the artists appearing at the Mill Hill Music Festival, which runs this year from June 2oth through to the 27th. First up is a real musical treat, The Allan Ganley Jazz Legacy, featuring the exquisite Elaine Delmar on vocals.

A chance to see a truly international star on your own doorstep.

Full details are available at the festival website :-

WWW.MILLHILLMUSICFEST.CO.UK

Tickets for the gig are £20

The Barnet Eye is always pleased to give any great local shows a good plug, so let me know if you have something you want our 25,000 readers to have a look at !

The concert will take place at the Quench Cafe in Salcombe Gardens


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