Yesterday, The False Dots appeared at the Camden Rocks festival at The Barfly in Camden Town. We had a spiffing time and I think we did a good show! There were plenty of compliments, but it was almost unique in one way. I am not sure if it was accident or design, but I arrived at 4pm and stayed until 10pm and saw five of the other bands on the bill and all had female singers, and one was entirely female. None of the bands were playing sugary pop music, they were all playing orginal material and I think its fair to say that all gave dead solid performances. Over the course of the career of the False Dots,we've had four female singers. The first was back when we were forming the band. We had Amanda Spokes. She was going out with Dave Edwards, who was our very first drummer. Her style then leant on Souixsie from the Banshees. She didn't sing with us for very long, as Pete who co-founded the band with me decided he wanted to sing all of the songs. I don't think there are any tapes from that era and I can only vaguely recall one song she sang called "The Factory". In hindsight it was quite interesting, a slow number with shreiking, banshee like vocals. I think Pete wanted to do fast, high energy songs. But Amanda did help us get the show on the road.
The next female singer was Eleanor Caine. Eleanor was the daughter of a friend of Paul Hircombes mum. In 1982, the winds of music were blowing in a very different direction and we decided that after couple of years of the boys singing, we'd try a girl singer. Eleanor was an OK singer. One of the songs she performed on made its way onto vinyl in 1983. A song called "A memory for you" was included in a 101 Records Compilation album. Oddly, and to my great surprise, it has been attracting airplay in the USA on the college radio scene in recent years. It has even been loaded up on to youtube, by someone I don't know, which I find rather flattering. It is very different to everything else we've done
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Eleanor decided that I wasn't good enough for 'her band' and I got chucked out. Paul Hircombe came with me though and I kept the name. I don't think 'her band' ever did another gig, but we don't exchange Christmas cards so I don't really know. What Eleanor and the rest of 'her band' didn't know was that I'd met an absolutely brilliant female singer the week before her coup called Venessa Sagoe. Venessa was the flatmate of an ex girlfriend of mine and she turned up for an audition at the studio. I heard her singing and thought wow. The only other time I've been so blown away was when I heard Amy Winehouse singing in studio 9. Oddly, she failed the audition. I have no idea why. She was quite upset and I had a chat with her and told her to keep going. I really wanted her to join our band, but I am quite a loyal person. When the split occurred, I immediately phoned her and got her down. Within a couple of months we were gigging. We did a 'warm up' gig for my 21st Birthday at Bunns Lane Works, then a bikers rally gig to 400 people a week later. In fact three of Venessa's first five public gigs were bike rallys. We had them in the diary from before she joined and she had to learn a set full of Rock covers, as well as the False Dots originals set.
Venessa had never sang with a band before. She was thrown in at the deep end and given a baptism of fire. Our first 'proper' False Dots gig was in October at the Prince Albert in Golders Green, but after 10 seconds of watching her perform at the first bike Rally I knew she had what it took. Venessa did sixteen gigs with the band, Including four during a residency at The Bald Faced Stag. She also did what I thought for many years was the highlight of The False Dots gigging career at Dingwalls in February 1984. We were on fire and she was amazing. Sadly it didn't work out and that line up ended in September 1984. Venessa joined another band, which didn't really work out either. This is her doing her stuff in 1984 at The Bald Faced Stag. I am not generally a big fan of covers, but I think this demonstrates just how good she was.
I sort of thought The False Dots were done with female singers when Venessa left. We had tried to become more of a "pop group" and it hadn't worked. But in 2010, our guitarist (now bassplayer) Fil Ross told me a young lady who was a brilliant singer was interested in singing a couple of numbers with us. The set at the time had a couple of songs that would suit a female voice, so we asked Connie Abbe down. Unlike Venessa, Connie was an experienced singer. She had sung backing vocals with Sudanese rapper and megastar Emmanual Jal on massive tours. She'd not fronted a band though. Connie blew me away. She came in and it just felt like she'd always been there. She learned songs quickly, and soon started developing and adding to the material.
This song, Put me in the spotlight was used by Manchester City FC as the theme music for their goal of the month show in 2012. It got played 49 million times! Connie played nine gigs with the band, perhaps the best being at The Purple Turtle in Camden, to a sold out audience. Sadly the music industry told me they were not interested in an artist fro Connie's demopgraphic, no matter how well she sang. It was very disheartening really. Until Connie joined the band, I'd been happy doing local charity shows etc. However she gave me the taste for gigging properly again.
As I the female singers last night, I couldn't help think of the various female singers that have played with The False Dots over the years. All of them in the early years stepped into a very blokish environment. It is a great testament to Venessa that she grabbed the bull by the horns and embraced it. By the time Connie joined, we had mellowed and we also had the maturity to recognise she had a great talent and we had to fit in to her sound, as much as she had to fit into ours. Watching the bands last night, was fascinating as the spectrum of ages of the bands was quite marked. I was especially interested in Bugeye, the all female band,as there are not enough such bands. They had a great sound and definite vibe going. Now that the False Dots are Rock and Roll geriatrics, we can just relax and enjoy the whole thing and play our music without fear. We can be silly and take chances. For all of the bands, apart from the Green Ribbon Club (who were a similar sort of age to us and had a not too different attitude), I could see just how important the gig was and how much it meant to them. I wish that when I was that age, we had the sense of liberation that we have now. If anything, we try harder now to give a good show,but we also enjoy the danger of living on the edge and taking chances. I do think we didn't take enough musical risks back then and I'd urge the younger bands to do the same. I found that when I gave myself permission to make mistakes, they stopped mattering. I realised that a great 'performance' isn't defined by perfection, it is defined by grabbing peoples attention by walking on the edge of the cliff. I realised that because we have a great band, I have a parachute, even if I fall off, and that would really grab their attention.
It was interesting talking to the other bands. I told the bassplayer of Catfight that I thought their third final song was amazing. He said "Oh that's a bit of an under the radar song". It is nice though to see so many bands doing their own stuff and a decent sized audience lapping it up. I get really fed up the our local radio station BBC Radio London doesn't play more of the sort of music from local London bands on their shows. To me bands like the Rolling Stones don't need the exposure. They do have the BBC Introducing slot, but I'd like to see one new, unknown London band be put on rotation every week. Everything I saw yesterday convinced me that they are missing a trick. I hasten to add that the individual presenters do support me in my mission to plug live music gigs, but they need to start playing it!
Here are some of the highlights I filmed last night
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